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Naughty Women - All The World's A Lay! mp3 flac

Naughty Women - All The World's A Lay! mp3 flac

Performer: Naughty Women
Title: All The World's A Lay!
Style: Punk
Released: 1984
Size MP3 version: 1566 mb
Size FLAC version: 1686 mb
Size WMA version: 1433 mb
Rating: 4.3
Votes: 313
Format: ADX TTA FLAC ASF VQF AU RA
Genre: Rock

Naughty Women - All The World's A Lay! mp3 flac


All The World's A Stage - Monologue from William Shakespeare's play 'As You Like It' All the world's a stage, And all the men and women merely players; They.

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Take a moment and think about all the different parts of your life. Afreen perween 2 January 2014 at 1:24 pm all the world is a stage and we are the player of this stage and the god is the director of this stage.

All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 138. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man: infant, schoolboy, lover, soldier, justice, Pantalone, and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages.

He is regarded the world’s greatest dramatist and poet. In this poem Shakespeare has masterfully divided and described human life into seven stages spanning (crossing) infancy to old age. He compares the world with a big stage and all human beings with actors playing their allotted roles. Man first appears on this stage as an infant crying and vomiting in the nurse’s arms. Then he is seen as a school boy with a glowing morning face walking slowly and reluctantly to school. Sooner, he grows into a young man burning with the passion of love and singing in praise of his beloved.

Speech: All the world’s a stage. And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel. And shining morning face, creeping like snail. Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad. Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel

All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow.

All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow.

Jaques to Duke Senior All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.

All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.

Tracklist

Studio '79
A1 Intro
A2 Shit / Fuck Yourself
A3 Jealousy
A4 We Know You Bate
A5 I Wanna Be Used
A6 Put To Death
Live '79
A7 Get On The Gas
Studio '82
A8 Linda Is A Monster
A9 We Didn't Come To Dance
A10 All The Wolrd's A Lay
A11 Cherry Bomb
A12 Middle Of Nowhere
A13 Bummer Bitch
A14 These Streets
A15 Mexican Nightmare
Live '82 - Hideaway
A16 These Streets
B1 Jealousy
B2 Mistery Girls
B3 Not There
Studio '81
B4 Live By The Sword
B5 Lines-Lines
Live '82 - Hideaway
B6 Put To Death
B7 - - - - - - - -
B8 Fuck Yourself
B9 All The World's A Lay
B10 Not Right
B11 Tush
Live '82 - Cathay De Grande
B12 Bummer Bitch
B13 Linda Is A Monster
B14 We Know You Bate
B15 Jealousy

Notes

Fold out cover with tracklist and info printed inside.

Handwritten labels.